We are Listening, Are You There?, 2018.
We are Listening, Are You There?, 2018.

Acrylic paint and embroidery on cotton jacquard and canvas

22 x 15”

Watching Fiction Become Fact: The Two Suns on (Tatooine) Kepler 16b, 2018.
Watching Fiction Become Fact: The Two Suns on (Tatooine) Kepler 16b, 2018.

Acrylic paint and embroidery on cotton jacquard and canvas.

13 x 23” Private Collection.

Hearing Ghost Signals from the Past to Interpret A Poetic Future (life imagined and mirrored on Kepler 16b, 2018.
Hearing Ghost Signals from the Past to Interpret A Poetic Future (life imagined and mirrored on Kepler 16b, 2018.

Machine woven cotton jacquard. 9 x 9’

Collection of the OPW, Ireland.

The Gravitational Pull of an Imperfect Universe, 2018.
The Gravitational Pull of an Imperfect Universe, 2018.

Acrylic paint and embroidery on cotton jacquard and canvas

15 x 23”

George Bolster, Proposition 2: Museum of 20th Century Art, Interior with Rabbit (1986) by Jeff Koons, 2018.
George Bolster, Proposition 2: Museum of 20th Century Art, Interior with Rabbit (1986) by Jeff Koons, 2018.

Graphite on cotton rag

11 x17 in.

Proposition 1: Moon Museum of Architecture featuring The Glass House by Philip Johnson, 2017.
Proposition 1: Moon Museum of Architecture featuring The Glass House by Philip Johnson, 2017.

Pencil on paper

14 x 17"

Oztastic, 2017.
Oztastic, 2017.

Gouache on card,

6 x 4"

Plan the Infinity of Our Species, 2016.
Plan the Infinity of Our Species, 2016.

C-Type photograph woven with ribbon in deep box frame

35 x 50"

We Need to Plan the Infinity of Our Culture, 2015-18.
We Need to Plan the Infinity of Our Culture, 2015-18.

Ribbon and wall

Dimensions variable

we are interactive sculpture, we are temporal art objects, we are durational performance, 2013.
we are interactive sculpture, we are temporal art objects, we are durational performance, 2013.

Wallpaper

Variable dimensions

Culture With and Without Atmosphere, 2016.
Culture With and Without Atmosphere, 2016.

Chromogenic diptych, (each 20 x 15")

Left: Forest fire by Hat Creek Radio Observatory, CA.

Right: McMoons' Archive of Lunar Orbiter Missions to map the Moon.

We Need To Plan The Infinity Of Our Species, 2016.
We Need To Plan The Infinity Of Our Species, 2016.

Ribbon installation at Critical Practices, 21st St. Projects, NYC.

Dimensions variable

The Atheist's Lament, 2010.
The Atheist's Lament, 2010.

Custom made Flower speakers with recording of Christ is Beside Me

(the word Christ replaced by No One throughout)

Dimensions variable

St. Peter, Christ's Rock, 2007.
St. Peter, Christ's Rock, 2007.

Ceramic, headphones, paint

9 x 13"

David Sylvian as St. Peter, 2010.
David Sylvian as St. Peter, 2010.

Pen and paint on maple wood

20 x 15"

i will end u 4eva, i will begin u 4eva, 2009.
i will end u 4eva, i will begin u 4eva, 2009.

Scorched wood, ceramic, magnet, iron filings, silver jewelry, paint

Resurrection of Sound, 2008.
Resurrection of Sound, 2008.

Speakers, ribbon, hair, pencil and paint on maple wood, sound: Depeche Mode’s Enjoy The Silence.

The Sound of Nothingness, 2009.
The Sound of Nothingness, 2009.

Clay, headphones and whitenoise

We are Listening, Are You There?, 2018.
Watching Fiction Become Fact: The Two Suns on (Tatooine) Kepler 16b, 2018.
Hearing Ghost Signals from the Past to Interpret A Poetic Future (life imagined and mirrored on Kepler 16b, 2018.
The Gravitational Pull of an Imperfect Universe, 2018.
George Bolster, Proposition 2: Museum of 20th Century Art, Interior with Rabbit (1986) by Jeff Koons, 2018.
Proposition 1: Moon Museum of Architecture featuring The Glass House by Philip Johnson, 2017.
Oztastic, 2017.
Plan the Infinity of Our Species, 2016.
We Need to Plan the Infinity of Our Culture, 2015-18.
we are interactive sculpture, we are temporal art objects, we are durational performance, 2013.
Culture With and Without Atmosphere, 2016.
We Need To Plan The Infinity Of Our Species, 2016.
The Atheist's Lament, 2010.
St. Peter, Christ's Rock, 2007.
David Sylvian as St. Peter, 2010.
i will end u 4eva, i will begin u 4eva, 2009.
Resurrection of Sound, 2008.
The Sound of Nothingness, 2009.
We are Listening, Are You There?, 2018.

Acrylic paint and embroidery on cotton jacquard and canvas

22 x 15”

Watching Fiction Become Fact: The Two Suns on (Tatooine) Kepler 16b, 2018.

Acrylic paint and embroidery on cotton jacquard and canvas.

13 x 23” Private Collection.

Hearing Ghost Signals from the Past to Interpret A Poetic Future (life imagined and mirrored on Kepler 16b, 2018.

Machine woven cotton jacquard. 9 x 9’

Collection of the OPW, Ireland.

The Gravitational Pull of an Imperfect Universe, 2018.

Acrylic paint and embroidery on cotton jacquard and canvas

15 x 23”

George Bolster, Proposition 2: Museum of 20th Century Art, Interior with Rabbit (1986) by Jeff Koons, 2018.

Graphite on cotton rag

11 x17 in.

Proposition 1: Moon Museum of Architecture featuring The Glass House by Philip Johnson, 2017.

Pencil on paper

14 x 17"

Oztastic, 2017.

Gouache on card,

6 x 4"

Plan the Infinity of Our Species, 2016.

C-Type photograph woven with ribbon in deep box frame

35 x 50"

We Need to Plan the Infinity of Our Culture, 2015-18.

Ribbon and wall

Dimensions variable

we are interactive sculpture, we are temporal art objects, we are durational performance, 2013.

Wallpaper

Variable dimensions

Culture With and Without Atmosphere, 2016.

Chromogenic diptych, (each 20 x 15")

Left: Forest fire by Hat Creek Radio Observatory, CA.

Right: McMoons' Archive of Lunar Orbiter Missions to map the Moon.

We Need To Plan The Infinity Of Our Species, 2016.

Ribbon installation at Critical Practices, 21st St. Projects, NYC.

Dimensions variable

The Atheist's Lament, 2010.

Custom made Flower speakers with recording of Christ is Beside Me

(the word Christ replaced by No One throughout)

Dimensions variable

St. Peter, Christ's Rock, 2007.

Ceramic, headphones, paint

9 x 13"

David Sylvian as St. Peter, 2010.

Pen and paint on maple wood

20 x 15"

i will end u 4eva, i will begin u 4eva, 2009.

Scorched wood, ceramic, magnet, iron filings, silver jewelry, paint

Resurrection of Sound, 2008.

Speakers, ribbon, hair, pencil and paint on maple wood, sound: Depeche Mode’s Enjoy The Silence.

The Sound of Nothingness, 2009.

Clay, headphones and whitenoise

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